Film critic Ben Hynes on Paul Thomas Anderson’s latest, a hazy adaptation of Thomas Pynchon’s ‘Inherent Vice’.
Film critic Christine Jin on why ‘The Immigrant’ is the ideal prologue for the rest of James Gray’s oeuvre.
“Her is the ‘Fahrenheit 451’ of the iPhone age”, writes film critic Jay Sizemore about a film on human connection and what it really means.